museum collecting
Giovanni Battista Piranesi

1762
Ichnographia Campus Martius

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Not only is practically everything in Piranesi's immense oeuvre "virtual," but the degrees to which he both created "virtual place" and utilized "virtual" representations suggests the concept of virtuality pervaded his whole methodology as well. As a consummate engraver, Piranesi practiced "virtual architecture" designing "magnificent" buildings and an extraordinary city, filled volumes with "virtual archeology," and manifested "virtual prisons" that torture perception.
Viewed as a whole, Piranesi's creative output is nothing less than an enormous museum of architecture in the virtual realm.

composite historical plan

0

13200  


1762

Ichnographia Campus Martius     Roma

17102902

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3211h
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