any suggestion about Manual DeLanda courses in Upenn
Invalid design methods have a far greater impact, if you asked me.
Although artificial generally means 'made by humans', the extended definition 'produced rather than natural' suggests the ant mounds pictured above (or whatever they are exactly) are more, strictly speaking, something artificial, that is, something produced rather than natural. If you asked me, it is just a human conceit to think that only humans are capable of creating things artificial.
070205 Acropolis Q
070205 Acropolis Q
070205 Acropolis Q
so what is the newest... mp6400
Architecture wasn't always a profession, and... mp6401
Of course architecture should continue to explore... mp6402
I wonder why some people here always need... mp6403
just wanted to mention that Piranesi did... mp6404
Fundamental to the concept of seeing is its inverse or... mp6405
"…his eyes, magnified to fantastic proportions... mp6406
what is today's movement?
Name any current mathematical, scientific or philosophical theory, and there's an architecture that will try to reenact it.
Look at the architecture of Mies, Le Corbusier (especially the late works), and Kahn (especially the early works), and there's a lot of contemporay architecture reenacting all that.
Philip Johnson's architecture is one reenactment after another.
Frank Gehry's architecture evolves via reenacting itself.
You want something original? Just reenact with a twist.
–verb (used with object)
1. to combine, as two or more strands or threads, by winding together; intertwine.
2. to form by or as if by winding strands together.
3. to entwine (one thing) with another; interlace (something) with something else; interweave; plait.
4. to wind or coil (something) about something else; encircle; entwine; wreathe.
5. to alter in shape, as by turning the ends in opposite directions, so that parts previously in the same straight line and plane are located in a spiral curve.
6. to turn sharply or wrench out of place; sprain.
7. to pull, tear, or break off by turning forcibly.
8. to distort (the features) by tensing or contracting the facial muscles; contort.
9. to distort the meaning or form of; pervert.
10. to cause to become mentally or emotionally distorted; warp.
11. to form into a coil, knot, or the like by winding, rolling, etc.
12. to bend tortuously.
13. to cause to move with a rotary motion, as a ball pitched in a curve.
14. to turn (something) from one direction to another, as by rotating or revolving.
15. to combine or associate intimately.
–verb (used without object)
16. to be or become intertwined.
17. to wind or twine about something.
18. to writhe or squirm.
19. to take a spiral form or course; wind, curve, or bend.
20. to turn or rotate, as on an axis; revolve, as about something; spin.
21. to turn so as to face in another direction.
22. to turn, coil, or bend into a spiral shape.
23. to change shape under forcible turning or twisting.
24. to move with a progressive rotary motion, as a ball pitched in a curve. 25. to dance the twist.
26. a deviation in direction; curve; bend; turn.
27. the action of turning or rotating on an axis; rotary motion; spin.
28. anything formed by or as if by twisting or twining parts together.
29. the act or process of twining strands together, as in thread, yarn, or rope.
30. a twisting awry or askew.
31. distortion or perversion, as of meaning or form.
32. a peculiar attitude or bias; eccentric turn or bent of mind; eccentricity.
33. spiral disposition, arrangement, or form.
34. spiral movement or course.
35. an irregular bend; crook; kink.
36. a sudden, unanticipated change of course, as of events.
37. a treatment, method, idea, version, etc., esp. one differing from that which preceded.
38. the changing of the shape of anything by or as by turning the ends in opposite directions.
39. the stress causing this alteration; torque.
40. the resulting state.
41. a twisting or torsional action, force, or stress; torsion.
42. a strong, twisted silk thread, heavier than ordinary sewing silk, for working buttonholes and for other purposes.
43. the direction of twisting in weaving yarn; S twist or Z twist.
44. a loaf or roll of dough twisted and baked.
45. a strip of citrus peel that has been twisted and placed in a drink to add flavor.
46. a kind of tobacco manufactured in the form of a rope or thick cord.
47. a dance performed by couples and characterized by strongly rhythmic turns and twists of the arms, legs, and torso.
48. the degree of spiral formed by the grooves in a rifled firearm or cannon.
49. Gymnastics, Diving. a full rotation of the body about the vertical axis.
50. a wrench.
note to self: reenactment with a twist, is that what Hejduk's architecture is really all about?
Theory Part II - Doing What I Said I Would Do...
You know there really is no proof that personal fantasy automatically translates into bad design/architecture. Nor is there proof that personal fantasies automatically lack any theoretical foundation.
070413 Parrish Art Museum
070517 Hurva Dormitories
Not that we're sexist out here, but we do like Phillip's museum of architecture a lot better than Phyllis's. Virtual museum pieces all over the place in real 3D. I mean, who else has done that?!?
Q: what comes after museum?
Everyday Urbanism - Design and/or Default
One of my favorite everyday urban places was actually mostly the inside of my car?
Verb: Featured Discussion
Is architecture perhaps really more adverb than verb?
: any member of a class of words that in many languages are distinguished in form, as partly-/i] in English by the ending -[i]ly, or by functioning as modifiers of verbs or clauses, and in some languages, as Latin and English, also as modifiers of adjectives or other adverbs or adverbial phrases, as very, well, quickly. Adverbs typically express some relation of place, time, manner, attendant circumstance, degree, cause, inference, result, condition, exception, concession, purpose, or means.
I like it when content takes on a form that very easily recognized yet not very easily digested.
Yet some people might still argue that anything looks better with a frame.
Did someone mention cocktails?
Perhaps that's what the artist/architect does, apply form to content. Yet, in the case of Piranesi's Ichnographia Campus Martius at least, it is the form within a context that discloses the content (if the observer is astute enough to find it)--the content is implied rather applied.
Koolhaas & Eisenman Discuss "Urgency" at the CCA
I thought the point was Archaeologies of the Future.
'Opaque' perhaps, but never without clues. The way I see it Koolhaas's architecture becomes him while Eisenman becomes his architecture. [Vanbrugh is at the top of the list if that helps.]
"Pejorativity" is an important chapter in The Irrelevancy Style of Architecture.
My tendencies are more coincidental than anything else.
"...a shift into spontaneous mode,
Instinct is not the same thing as reason. To start with, instinct is much quicker.
as architecture once was
I thought yesterday that Quondam could begin delivering its content as architecture once was. I have a whole collection of prints and books that show architecture as it once was, so I can start using them to exhibit architecture as it once was. And, of course, "quondam" actually means "once was".
The flip side is to also exhibit what architecture is going to be. Yet even the recent past is now architecture as it once was. I guess it's worth it to keep this idea as an ongoing agenda for Quondam, one of several agendas from now on.
Stephen Lauf, Old School of New Thinking (virtual realm: scheme 1, 2007.09.22).
Stephen Lauf, Old School of New Thinking (virtual realm: scheme 2, 2007.09.22).
Stephen Lauf, Old School of New Thinking (virtual realm: scheme 3, 2007.09.22).
071008 Goldenberg House
071013 Courthouse with Garage
071015 Cut & Paste Museum