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atypical/content of a museum [of] otherness

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2008     HafenCity Science Center


2008.01.23 15:13
Architecture, art or science?
I like science for its ability to concretize and communicate a "world view".
I like art for its applied systematic study of natures.
I like architecture for its demonstration that science and art are not necessarily two different things.


2008.04.26 14:52
the state of drawing in education
I utilize blah-blah-blah. It's this great CAD software I invented where one draws via talking to the computer. It even lets you talk in mixed-up languages!

Hey Media Lab, quick steal this idea before someone else does.


2008.04.27 12:00
the state of drawing in education
...there is abundant room for messiness and experimentation and discovery within CAD.


2008.04.28 10:28
the state of drawing in education
"The third phase is distinguished from the second only because in the later period the number of partial images is increased as much as possible to create the effect of infinitely more images."
Frankl, Principles of Architectural History, p. 152.


2008.05.15 20:48
The Official Paradigm Shift thread
multiple choice (so far):
1. typical plan meets eclectic program
2. eclectic plan meets typical program
3. programmatic planning meets typical eclecticism
4. planned eclecticism meets programmatic type
I'd say 2 and 4 characterize a paradigm shift.
4705


2008.05.16 08:16
Now try taking it to court.
Point one begins with "Media has invaded every aspect of our lives." and ends with "Just think of any architectural magazine today devoted, supposedly, to the environment, and instead one finds media."
More to the point: Advertising has invaded every aspect of our lives, and just think of any architectural magazine today devoted, supposedly, to the environment, and instead one finds advertising.
"In the future, everything will be an advertisement." --Rita Novel
The Guggenheim has very successfully, via architecture, become an advertisement of itself [via free press even]. The Guggenheim's architecture as advertisement has even become an aspect of the Guggenheim's sustainability. The image of Guggenheim buildings are trademarked even.
Perhaps...
Architecture as delivery of content = architecture as delivery of "advertising space" = lucrative sustainability. (We already know this is how a lot of virtual architecture works.)


2008.05.19 20:47
The Official Paradigm Shift thread
After reading "Shifting Paradigm Part I" and "Shifting Paradigm Part II" (which really didn't impress me), Koolhaas's "Typical Plan" text came to mind. I'll read it again more carefully. I feel there might be some connection to 'generic-ness' and the decorated shed. Maybe not.
some great quotes though:
Typical Plan provides the multiple platforms of 20th-century democracy.
Typical Plan is minimalism for the masses.
Typical Plan knows what European architecture will never learn.
...it is architecture as mantra.
I'm secretly working on Plan Atypical.


2008.05.20 09:45
The Official Paradigm Shift thread
Seven Typical Plans of Ambiguity or Plan Atypical
The first typical plan of ambiguity arises when a detail is effective in several ways at once.
In the second typical plan of ambiguity two or more alternative meanings are fully resolved into one.
The condition for the third typical plan of ambiguity is that two apparently unconnected meanings are given simultaneously.
In the fourth typical plan of ambiguity the alternative meanings combine to make clear a complicated mind in the architect.
The fifth typical plan of ambiguity is a fortunate confusion...
In the sixth typical plan of ambiguity what is designed is contradictory or irrelevant and the user is forced to invent interpretations.
The seventh typical plan of ambiguity is that full of contradiction, marking a division in the architect's mind.
5, 6 and 7 are my favorites.

080611   Electronic Calculation Center Olivetti   9346j



2008.06.30 15:24
the Miller House (should be more famous)
"Ah, Detailotheca, the nimiety of detail museum."
"If only all architecture were so self-evident."
"I know. It never really was a house, was it?"
"True, but it's actually two museums."
"Ah yes, the Reenactment of Late Le Corbusier Style Museum as well."


2008.07.24 10:03
Iconography, or the problem of representation


"Additionally, there is an exhibit of three Calder sculptures within the forecourt of the Rodin Museum. I found myself really admiring all these sculptures because I now see a 'real' virtual architecture in them." --2002.11.20
So maybe there really is a Calder Museum of Virtual Architecture.


080705   mirror-copy plan   780ac

2008.07.26 09:18
I smell a Vorläufer
"A further study of the main house resulted in two radical options: a vertical and horizontal house, both based on the same configuration. ... By turning our initial proposal 90 degrees a vast potential was discovered in which each space can have its own personal relationship with the landscape. What used to be a conventional patio becomes a centrally located multi-level living space which gives the inhabitants an unprecedented special experience and at the same time fits the very specific demands of the program."
--description of OMA's Ascot Residence (2003).

Wonder what would happen (if anything) when the above "nine plans" are flipped up 90 degrees. For example, a flipped-up 21st Century Museum of Art...
...looks almost like this...

One easy way to conceptualize a new paradigm is to invert the "set of assumptions, concepts, values, and practices that constitutes a way of viewing reality".
...or just practice the twist in front of the mirror[-copy plan].
2008.05.19: "I'm secretly working on Plan Atypical"


2008.08.02 09:22
I smell a Vorläufer
There's no argument as to the existence of architectural precedents, rather that the precedents themselves manifest a nimiety of diversity.
more from Oresko...
"But probably the most important and wide-reaching effect Piranesi had upon his friend was the transmission of his notion of artistic licence. The concept of abstracting the elements of classical culture and then rearranging them into a pattern of one's own was developed and expounded largely by Piranesi. As with Inigo Jones, it is obvious that Robert Adam cast his intellectual net widely and borrowed from a staggeringly rich variety of classical, Renaissance, Baroque and contemporary sources. But, again with Jones, his scholarly tabulation of a seemingly inexhaustible number of architectural details and the concomitant reliance upon earlier modes for inspiration did not result in Adam's being a mere copyist or pasticheur. Elaborating upon Piranesi's doctrine of artistic licence and relying upon what he saw as the authentically classical approvel of the individual artist's genius, Adam blended his elements, what ever their source, into his own personal manner, and the compound which resulted was always pure Adam."
Is Unarrested Architecture written by otherness?
"Rather is it a matter of destabilizing the current assumptions by admitting otherness in a way that disturbs the very concept of architecture and the architect. It is time for expanded architects to publicly explore the enigmas and destabilizing elements of all buildings rather than repress them, allowing the mystery or instability of the built object that attracted them in the first place to come to the surface, and admitting mystery into their own stories."
--Wigley, 2006.
You know, Wigley actually told me it was indeed fate that I was there (in Brussels, 1999), because I had already manifest what was the point of the closing address he was to deliver the next day. I guess he smelled a Vorläufer.


2008.08.13 15:38
has the sun finally set on oma?
This appeals to me. The overlay of generative elements and the resultant hyper-figure/hyper-ground.


I like this too.



2008.08.13 15:57
has the sun finally set on oma?
As to what's next, maybe this, or this, or this, or this. And there's always hope.


2008.10.06 10:39
Mixing Design Elements of Different Style Homes-Your Opinion
forget utopian and go ottopian

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