I also have to mention that Robert Venturi wrote "Diversity, Relevance and Representation in Historicism, or Plus ša Change. . . plus A Plea for Pattern all over Architecture with a Postscript on my Mother's House" in Architectural Record, June 1982.
"Since about 1960, Modern Architecture, or the International Style and its related models, has changed dramatically. It has evolved into a new style, a "Late" version of its former [or quondam] self, and, at the same time, has undergone a mutation to become a new species--"Post"-Modern. Such changes in architectural history have occurred before--Late-Minoan, Late-Gothic, Late-Baroque are all examples of historical periods when a previous style was exaggerated--and Late-Modern architecture also exaggerates the period it comes after, the Early- and High-Modern architecture produced from 1920 to 1960. By contrast, Post-Modern architecture is a more definite split from preexisting tradition, just as the Renaissance broke away from the Late-Gothic: but it is a selective, not total, rejection of the previous era. Post-Modern architects are trained, after all, by Modern architects, and they have to adopt contemporary constructional methods; so there are several important ways in which they too are an evolutionary species."
first paragraph of "The Evolution and Mutation of Modern Architecture" in Charles Jencks, Architecture Today, 1982 (published in Britain as Current Architecture).
but then again...
"An essential reason for using symbolism today is that it can provide a diversity of architectural vocabularies appropriate for a plurality of tastes and sensitive to qualities of heritage and place. This use suits the need to respond in our time to both mass culture and pluralistic expression. Today the world is at once smaller and more diverse, more interdependent yet more nationalistic; even small communities seriously maintain ethnic identities and carefully record local history. People are now more aware of the differences among themselves yet more tolerant of these differences."
Robert Venturi, "Diversity, relevance and representation in historicism, or plus ca chance..." in Architectural Record, June 1982.
...perhaps it is Hejduk's architecture of Adjusting Foundations that fulfills Venturi's prediction (from the early 1980s within an issue of Casa Vogue, I think) that there will be patterns all over architecture in the near future.