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In the Wiley House, for instance, in contrast to his glass house, Philip Johnson attempted to go beyond the simplicities of the elegant pavilion. He explicitly separated and articulated the enclosed "private functions" of living on a ground floor pedestal, thus separating them from the open social functions in the modular pavilion above. But even here the building becomes a diagram of an over simplified program for living--an abstract theory of either-or. Where simplicity cannot work, simpleness results. Blatant simplification means bland architecture. Less is a bore.
Robert Venturi, Complexity and Contradiction in Architecture (1966), p. 25.


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