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The Mannerist elliptical plan of the sixteenth century is both central and directional. Its culmination is Bernini's Sant' Andrea al Quirinale, whose main directional axis contradictorily spans the short axis. Nikolaus Pevsner has shown how pilasters rather than open chapels bisect both ends of the transverse axis of the side walls, thereby reinforcing the short axis toward the altar.
Robert Venturi, Complexity and Contradiction in Architecture (1966), p. 32.




Richard Mortel

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