11 February

1791 birth of Louis Tullius Joachim Visconti

Fairmount Waterworks
1999.02.11     1822

Philadelphia Museum of Art
1999.02.11     3900d   e   f   g

Re: shock
2000.02.11 10:01     3744b

2001.02.11     3784f 5038

Reenactionary Architecturism
2001.02.11     2140 2226 2234 3123l 3788

"Learning from Girard Avenue" reenacts
2002.02.11 15:57     4015n 4018f

2005.02.02 11:09     3785b 4704

Architecture As A Cult
2006.02.11 14:35     3736o

I saw Rem at Outback Steakhouse.
2007.02.11 20:24
2007.02.11 20:28

2011.02.11 10:40     3713h 3736t 3741c 3774e

BIG's concept for a spiraling-landscape tower in NYC's Hudson Yards
2016.02.11 12:23     3313m
2016.02.11 17:59     3313m 3773u

BIG's concept for a spiraling-landscape tower in NYC's Hudson Yards
2016.02.11 12:23     3313m
2016.02.11 16:30     3313m
2016.02.11 18:07     3313n

Samuel Bell House, site plan.

1999.02.11 10:28
Re: electromagnetism in the body
I'm now going to relate a story that may or may not have something to do with "feelings" and place.
I spent the summer of 1978 in Perry, Missouri (population 839) as a Historic American Building Survey (H.A.B.S.) student team member. Our team was surveying and documenting two small towns and a variety of domestic buildings that were to be demolished after our survey because the land was soon going to be under water once the Salt River Dam was complete. One of the buildings I surveyed along with Barbara Hendricks (a architecture student from Texas) was so remote that Barbara and I were dropped off in the morning and not picked up again until 4 o'clock in the afternoon. The house was named for Samuel Bell, and it was a simple 2 story farm house with a front porch, central hall, and a gable roof running from side to side. I soon discovered that we could easily get on the roof by going out one of the second story windows and onto the lower roof of the one story addition to the back of the house. I suggested we eat our lunch up on the ridge of the roof.
From the ridge of the roof a portion of the Salt River valley lay before us. The view was indeed beautiful, especially its rawness, and it was weird to think that this was all going to be under water in the near future. As a born and raised northeastern urbanite, all of rural Missouri offered me a plethora of new sensory impressions, and at this spot I found myself wondering what the "Indians" may have once thought of this place. Again, I was struck by the natural raw beauty of it all, and I said to Barbara, "I think this place is sacred." Barbara quickly retorted, "there are a lot of other places I'd call sacred before this."
About a month later, toward the end of the summer when most of the team was in the office drafting, our team historian, Travis McDonald (who is today the resident architectural historian of Thomas Jefferson's Poplar Forest), came into the office with exciting news -- demolition of the Samuel Bell house was put to a halt and the archeologists, who were also working in the region that summer, were to set up a dig there because it was discovered that the Samuel Bell house was built upon an Indian burial site. I immediately turned to Barbara and said, "I told you that place was sacred!"
In all honesty, I didn't experience any special "feelings" while I was at the Bell House. It just happened that the notion of sacredness entered my mind as I was giving a little thought to what I saw.

2000.02.11 10:01
Re: shock
You bring up some good historical examples of 'architectural shock' with Boullée and Ledoux--many of Boullée's designs are definitely of a shocking scale and magnitude, and Ledoux often architecturally manifests the shock of revolution within architecture (the French Revolution played a key role in his mature work).

2006.02.11 14:35
Architecture As A Cult

"It's all Greek to me!"

2007.02.11 20:24
I saw Rem at Outback Steakhouse.
Had breakfast with Winka.
Had lunch with Mark Wigley.
Had dinner with Winka, Mark and lots of others at the top of the Atomium.

2007.02.11 20:28
I saw Rem at Outback Steakhouse.
And the next night I had Thanksgiving dinner at E. Zenghelis's place, you know, the co-founder of OMA. Even sat next to Mark Wigley again.

09021101 Basilica of Constantine, Pantheon, plans

2011.02.11 10:40
Le Corbusier, Oeuvre Complète 1957-65.
Dal Co and Forster, Frank O. Gehry: The Complete Works.
John Hejduk, Adjusting Foundations.
El Croquis 131/132 and El Croquis 134/135 (OMA/AMO/Rem Koolhaas).
James Stirling - Michael Wilford & Associates: la Nuova Galleria di Stato e Stoccarda.
van Berkel and Bos, MOVE.
Liane Lefaivre, Leon Battista Alberti's Hypnerotomachia Poliphili.
Oppositions 18.
Lotus International 35 or Learning from Las Vegas (first edition).
Luigi Ficacci, Piranesi: The Complete Etchings.
[Unthinking an Architecture]

12021101 Houses Under a Common Roof sections elevation scans   2170i31

13021101 Courthouse Plus Ultra model

16021101   GAUA site plan IQ24 Philadelphia plan attached   2429i136   b
16021102   GAUA site plan IQ24   2429i137




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