23 May

1743 death of Thomas Archer
1795 birth of Sir Charles Barry

hotrod architecture
2005.05.23 14:27     3786j 3787d 4014l

nice urban housing in philadelphia
2005.05.23 15:41     3770k 3786j 3953

Ridgeway House
2005.05.23     3750q

Villa Savoye at the Dominican Motherhouse
2006.05.23     2365 3336w 3732 3785b

the ethics of parametricism/emergent architectural thought and reification
2012.05.23 09:58     3330s 3735b 3769c 3771e 3791f
2012.05.23 15:38     3330s
2012.05.23 17:02     3330s
2012.05.23 18:50     3330s
2012.05.23 20:18     3330s

What are the cultural ingredients of architecture today?
2013.05.23 09:59     3730k 3771g 3773l 4613

17 May
2014.05.23 13:28     3742

Construction of Steven Holl-designed Queens Library is underway
2015.05.23 12:32     3310w 374ae

Police Shut Down Mosque Installation at Venice Biennale
2015.05.23 14:08     3310w 3773q
2015.05.23 15:17     3310w

Mesh Surface City Blocks Apraksinized
2015.05.23     3730s


Cadaval & Solà-Morales   Sunflower House   Port de la Selva



01052301 rems models   231ai11
01052302 rems models   231ai12
01052303 mesh surface cubed distorted models   231ai13   b

2005.05.23 14:27
hotrod architecture
Anyone familiar with Venturi and Rauch's Renovation of St. Francis de Sales, Philadelphia 1968 (which is best illustrated in the original Learning From Las Vegas) will have to agree that it was a bone-fide "hot rod" design. Sadly, the design is no longer in place (but at least the white plastic lectern still exists, albeit in storage). The single tube of white neon that hovered over the church sanctuary apparently didn't last long at all. Like the ecumenical changes of Vatican II, the Renovation of St. Francis de Sales was indeed an "extreme makeover."

2005.05.23 15:41
nice urban housing in philadelphia
Perhaps Philadelphia's vast housing stock has always been quotidian bricolage.
bricolage: something made or put together using whatever materials happen to be available
quotidian: everyday; commonplace


06052301 Dominican Villa Savoye model   2365i01   b   c   d
06052302 Dominican Villa Savoye plans   2365i02   b
06052303 Dominican Villa Savoye perspectives   2365i03


13052301 District Q NNTC, plan development   2170i39

2013.05.23 09:59
What are the cultural ingredients of architecture today?
Is FACTUM arte a possible proto-type of future architectural business? Like the architect could spec Duchamp Fountains for all the men's rooms to add some culture to the act of purgation.
Is the real value then in the 3D data file that tells the 3D printer what to do?
(Although I very much doubt I'll personally get to see it, nevertheless) Could someone that inherits all of Quondam's 2D and 3D file data someday in the future decide to 3D print it all out and thus make an actual Museum of Architecture?!?
note to self: rewrite my will to make sure I bequeath all of Quondam's data to an entity that has the money and operation to actually turn Quondam into a reality. I'm sure Disney could do it, but it would be funny to leave it all to China. Why am I leaning toward Dubai?
Next time someone asks me what I do, I'll tell them I'm very busy becoming posthumously famous.


2014.05.23 13:28
17 May
When I started to redraw the Ichnographia (via CAD in 1987) I had no knowledge of the 'philosophy of history' notion of reenactment. Soon after learning about the 'philosophy of history' notion of reenactment (in 1997), I realized that my redrawing of the Ichnographia was a form of reenactment. It was exactly like learning about the workings of reenactment while unwitting performing a reenactment, where, thus, second-hand knowledge (of reenactment) quickly became first-hand knowledge (of reenactment).

15052301 NPApraksin District IQ02 IQ03 GAUA plans   2438i00
15052302 NPApraksin District IQ02 IQ03 GAUA plans model   2438i01


15052301   Cadaval & Solà-Morales   Sunflower House   Port de la Selva


18052301 Philadelphia plans iq14 15 16 18 19 20 22 23 24 26 27 28   2093i77


19052301   iqq15 Analogous Museum of Architecture Acropolis of Contemporary Art New Atheneum Mies van der Hejduk Quondam House Section House ASouq Neighborhoods ASouq 003 ASouq 002 Mat-Slab-Blob Complex Maison l'Homme + Wall House 2 Complex Religious Working Title Museum 005 Netherlands Embassy Berlin House for Karl Friedrich Schinkel 004 House for Karl Friedrich Schinkel 001 Dresdner Bank Housing for La Villette Wallraf-Richartz Museum Breslauer Platz Olivetti Headquarters Milton Keynes Florey Building Cambridge History Faculty Building Leicester University Engineering Building International Planning Competition for Berlin Philadelphia plans   2468i78
19052302   iqq19/15 Philadelphia International Planning Competition for Berlin Wallraf-Richartz Museum Breslauer Platz ASouq 002 ASouq 003 Altes Box Museum plans 2200x1100   2468i79


20052301   hyperarchitecturism iqq15 model work east of Broad Street Dresdner Bank Housing for La Villette   2468i100   b
20052302   Stonehenge plus half plans   2489i17
20052303   whole plans   2489i18
20052304   half plans   2489i19
20052305   Pantheon plus half plans   2489i20
20052306   Minerva Medica plus half plans   2489i21
20052307   Tempietto plus half plans   2489i22


21052301   Schizophrenic Fold 3 in 3 to-scale contexts plans   2307i32



2012.05.23 09:58
the ethics of parametricism/emergent architectural thought and reification

And adding the 'unexpected' thinking, imagine the image above as the 2-dimensional 'grid' plan of a city. It's like actually stepping out of the mimicry.
What I mean here by "actually stepping out of the mimicry" is that even the image above is a form of mimicry in that it really isn't a bunch of 3-dimensional curved surfaces in space, rather a coherent group of lines that when perceived cause our brain to imagine a bunch of 3-dimensional curved surfaces in space. To see these lines as a grid plan of a city, however, you really have to adjust your imagination. And I'll say that it is within that act of "adjusting the imagination" where the crux of design happens.
I also asked, "Does it still just boil down to a sophisticated play of/with geometry?" I'd say that for the most part yes, in that the base is (many) points in space. Algorithms are used to define the surfaces between the (many) points in space. Super-fast computation puts all this sophisticated geometry in flux (and potential manufacture). Script writing, or lets say the process, is here a continual "adjusting of the imagination"--literally continually adjusting the image--and that is why is it now easy to believe that process is indeed also design.
I now wonder if the process/design of parametrics is better described as 'artificial design' because it still lacks the ability to imagine itself differently than how it is programmed to imagine itself.



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