25 May

1277 first stone laid for the facade of the cathedral of Strasburg

1510 death of Cardinal Georges I. d'Amboise

1693 birth of Georg Raphael Donner

1853 death of John McComb

depressing typological shapes
1990.05.25

Not There: agenda for Quondam
1997.05.25     3140 3600b 3705c 3730b 7801

Body, Imagination, and Architecture @ Quondam
1997.05.25     4000 4401 4402 4403b 4600 4413

been reading, etc.
2000.05.25     5800b

CQ MO
2002.05.25 13:17     3232b 3770g

sentences
2003.05.25     3288

Stop the presses: Paul Goldberger's take on critical relevance in the social media age
2015.05.25 10:32     3310w

“Technology is a cruel tool" -Peter Eisenman
2016.05.25 13:50     3314f
2016.05.25 16:32     3314f
2016.05.25 17:26     3314f


07052503



1990.05.25
depressing typological shapes
...the idea of depressing typological shapes into an established solid base.


00052501 mesh surface model perspectives   230ai20   b
00052502 virtual studio models perspective   230ai21   b   c

2002.05.25 13:17
CQ MO
Since revisiting the Bernini double theater that I read about almost 25 years ago, I've come to greatly admire the creative fecundity of double theaters as both a means and an end within the creative process. There is something almost magical about working with a vehicle/medium where there are literally twice the possibilities and where inversion (of self, for example) and mirroring (again of self, for example) provide, again, double the possibilities. Or is it all just 'too much play(ing)' in what is really just a virtual place?

07052501 Infringement Complex Plus Ultra model
07052502 Infringement Complex Plus Ultra perspectives
07052503 Infringement Complex Plus Ultra perspectives

13052501 Fruchter House plan plus other Kahn plans

14052501 Suburban Poché plan 22002 context
14052502 Girard Collage plans 44002 in situ
14052503 Circle Squared Museum plans 22002 in situ



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