16 July

feast of St. Eustathius

1828 death of Jean Antoine Houdon

1940 birth of Steven Izenour

hierarchy of the plans
1996.07.16     2557 2704 2758 2865 2929 2933

(unique) architectural drawings
1996.07.16     3228c

redux/organization of Acropolis Q
1997.07.16     2266

1998.07.16     3717 3730c 4600

bored with modern & contemporary, yet?
2008.07.16 15:13     4500n
2008.07.16 17:25     3236d 3727f 4500n
2008.07.16 18:09     4500n

The Vanna Venturi House is for sale
2015.07.16 10:45     3311i 3311j 3311k 7700p
2015.07.16 13:24     3311k
2015.07.16 17:59     3311k

17 July
2015.07.16 15:23     3311k

...upbeat, future oriented, spontaneous, eclectic and hopefully even more architectural, if not more cyber or virtual. The approach will be freer and almost without any discernible hierarchy.
...continually change the entry page... ...never to be an introduction, but a complete non sequitur from the get-go.
...a site that will confuse them...
...a clean slate again, a totally new Quondam with all the old [content] stored away.
5. ...all the crazy stuff that demonstrates the infinite possibilities that CAD and, to some extent, cyberspace afford.
10. ...take more advantage of the expansive web field.
...very stimulating and very Piranesian.

06071601 Romaphilia Philadelphia perspective

2008.07.16 15:13
bored with modern & contemporary, yet?
Vitruvius's book De architectura was rediscovered in 1414 by the Florentine humanist Poggio Bracciolini. To Leon Battista Alberti (1404-1472) falls the honour of making this work widely known in his seminal treatise on architecture De re aedificatoria (ca. 1450). The first known edition of Vitruvius was in Rome by Fra Giovanni Sulpitius in 1486. Translations followed in Italian (Como, 1521), French (Jean Martin, 1547 [10], English, German (Walter H. Ryff, 1543) and Spanish and several other languages.
On June 25, 1496 at the age of twenty-one, Michelangelo arrived in Rome.
Opposite it in the south transept is the Sagrestia Nuova (New Sacristy), begun in 1520 by Michelangelo, who also designed the Medici tombs within. [Michelangelo's first substantial architectural work.]
Architecture books were still fairly new and rare in Michelangelo's time, and they pretty much covered the basics (and anyone who could read, could grasp the basics). The greater architecture 'texts', however, were buildings themselves, and here the 'rules' are legion. I wouldn't say Michelangelo was intuitive in looking at existing architecture, rather sculpturally observant (and them sculpturally imaginative). Remember too, the most celebrated ancient columns in Renaissance Rome looked like this

--hardly your 'basic'.
Another example of the sculpturally observant-sculpturally imaginative:
Michelangelo himself wrote of how the newly discovered Belvedere Torso was a great inspiration for him. And now see how the ignudi of the Sistine Chapel ceiling represent the potential Michelagelo saw in the Belvedere Torso.

2008.07.16 17:25
bored with modern & contemporary, yet?
"In the past Eisenman has often been criticized for his reliance on concepts from outside of architecture. With this analytical work he declares explicitly that it is buildings themselves that are the source of ideas in architecture, and not applied philosphical concepts from outside the discipline"
--Stan Allen, "Eisenman's Canon: A Counter-Memory of the Modern" in Ten Canonical Buildings 1950-2000.
Leave to Allen and Eisenman to now 'declare' what has otherwise always been one of architecture's most self-evident features.
Eyes which do not see, indeed.
The first chapter of Wittkower's Architectural Principles in the Age of Humanism is entitled "The Centrally Planned Church and the Renaissance". Good stuff about the theoretical origins of the centrally planned church and its practice; not much about any "true debate" nor popes.
beginning of the last paragraph:
The new interpretation of religious architecture was soon to be challenged. Carlo Borromeo in his Instructionum Fabricae ecclesiasticae et Superlectilis ecclesiasticae Libri duo of about 1572, applied the decrees of the Council of Trent to church building; for him the circular form was pagan and he recommended a return to the 'formam crucis' of the Latin cross.

2008.07.16 18:09
bored with modern & contemporary, yet?
Ah, the altar altercation!
"But in the thirty years between Alberti and Francesco di Giorgio, with centralized planning coming into its own, controversies flared which are faithfully mirrored in Francesco's text. These controversies were, however, not concerned with the liturgical suitability of centralized churches as such--which nobody seemed to have doubted--but with the question whether the altar should be placed at the periphery or in the centre."

14071601 Houses under a common roof collective elevations   2170i43




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