1925-26 Alpha Architectonic
1976-77 Malevich's Tektonik
| |
2005.11.22 10:18
Your Ignorance is Inexcusable
"It is no accident that the New in the arts always announces itself in the guise of a revival, Hadid's career starts with the reinterpretation of Malevich's Teltonik, and her early work has indeed been (mis-)understood as neo-Constructivism. In a similar fashion, Peter Eisenman is said to take off from early Le Corbusier and Terragni. Revivalist appropriation is the easiest and most immediate option to articulate dissatisfaction and resistance towards a dominant practice. However, this has nothing to do with repetition. For instance, to pick up the unfinished projects of modernism on the back of postmodernism cannot be simple re-enactment, even if one initially works with direct citations."
--Patrik Schumacher, "Mechanism of Radical Innovation" in Zaha Hadid Complete Works: Texts and References. p. 65.
Is there even such a thing as simple reenactment?
It's interesting that reenactment is central to the "dissatisfaction and resistance towards the dominant practice" of Eisenman's teaching of Piranesi's Campo Marzio.
| |
2008.02.10 11:24
Archinect's The Plagiarius Awards Gallery
Again, architectural design inspiration often manifests a form of reenactment.
If a student acknowledges their inspirational source, then there is no plagiarism involved.
Reenactment is a(n often utilized yet unacknowledged) powerful learning tool.
| |
| |
|