Quondam - A Virtual Museum of Architecture | Oppositions Bibliography |
Adorno, Theodor W. | 17. | Functionalism Today |
Agrest , Diana. | 6. | Design versus Non-Design |
11. | Architectural Anagrams: The Symbolic Performance of Skyscrapers |
26. | Architecture of Mirror/Mirror of Architecture |
1. | Semiotics and Architecture: Ideological Consumption or Theoretical Work |
4. | A Sellection from Working Fables: A Collection of Design Tales for Skeptic Childern |
22. | Monuments in the Wilderness |
11. | Modern Architecture and Industry: Peter Behrens and the Cultural Policy of Historical Determinism |
21. | Modern Architecture and Industry: Peter Behrens, the AEG, and Industrial Design |
23. | Modern Architecture and Industry: Peter Behrens and the AEG Factory |
4. | Introduction to Karel Teige's Mundaneum, 1929 and Le Corbusier's In Defense of Architecture, 1933 |
4. | Architecture and Politics: A Polemical Dispute - A Critical Introduction to Karel Teige's "Mundaneum," 1929 and Le Corbusier's "In Defense of Architecture," 1933 |
8. | in Forum: The Beaux-Arts Exhibition |
22. | Art, Handicraft, Technology (1922) |
12. | "Amist Art and Literature" |
12. | Letter published in Rassegna Italiana, April 1927 |
17. | Formative Education, Engineering Form, Ornament |
2. | A Bibliography of Alison and Peter Smithsons |
9. | Aldo Van Eyck or a New Amsterdam School |
17. | Sartoris: The First Classicist of the Avant-Garde |
11. | On Manfredo Tafuri's Theories et histoire de l'architecture |
24. | Louis Kahn and Minimalism |
24. | Letter to Tomas Maldonado, Editor, Casabella |
8. | The Text of the City |
21. | Eupalinos or Architecture |
15/16. | A Villa of Le Corbusier, 1916 |
21. | Didier Lenz and the Beuron School of Religious Art |
Chimacoff, Alan, Koetter, Fred, Korman, Randall, and Seligmann, Werner | 19/20. | The Carpenter Center for the Visual Arts, Cambridge, Massachusetts. Le Corbusier, 1961-1963. Documentation |
24. | The Invention of the Modern Movement |
8. | in Forum: The Beaux-Arts Exhibition |
23. | Le Corbusier and the Mystique of the U.S.S.R. |
2. | Physical Context/Cultural Context: In-cluding it All |
19/20. | The Pilgrimage Chapel at Ronchamp: Its Architectural Structure and Typological Antecedents |
12. | From Bricolage to Myth, or how to put Humpty-Dumpty together again |
14. | Sign and Substance: Reflections on Complexity, Las Vegas, and Oberlin |
12. | Form and Figure |
24. | The Architecture of Gunnar Asplund |
25. | Thoughts on Riegl |
26. | Three Kinds of Historicism |
8. | in Forum: The Beaux-Arts Exhibition |
25. | Walks around the Horses |
14. | The Only Path for Architecture |
24. | Open Letter to Tomas Maldonado, Editor Casabella |
9. | The "Allusions" of Richard Meier |
12. | Roma Interrotta |
22. | The Remoteness of die Moderne |
23. | Notes Concerning the Phenomenology of the Limit in Architecture |
26. | The Stones of the Void |
12. | Interview with Albert Speer |
13. | Criticism and Design |
14. | Apparant Simplicity: Notes on Kurt Junghann's book Bruno Tait, 1880-1938 |
9. | Forum: Princeton's Beaux Arts and its New Academicism: From Labutut to the Program of Geddes |
8. | Type |
13. | On Charles Jenck's Le Corbusier and the Tragic View of Architecture |
10. | The Failure of the Soviet Avant-gard: A Review of Sovetska Architektonicka Avantgarda by Jiri Kroha and Jiri Hruza |
8. | in Forum: The Beaux-Arts Exhibition |
3. | Giraudoux and The Athens Charter |
1. | From Golden Lane to Robin Hood Gardens; or if you follow the Yellow Brick Road, it may not lead to Golder Garden |
4. | Real and English: Destruction of the Box. I. |
6. | Post-Functionalism |
6. | Editorial introduction to essays on the Yale Mathematics Building (Rowe, Moore, Scully) |
6. | Editorial introduction to Architecture and Architecture II: The Foreigners |
7. | Editorial introduction to "We shall not bulldoze Westminster Abbey": Archiigram and the retreat from technology |
7. | Editorial introduction to i 10 |
9. | Commentary (Oppositions) |
10. | Beyond the Mirror: On the Writings of Philip Johnson |
12. | Postscript: The Graves of Modernism |
15/16. | Aspects of Modernism: Maison Dom-ino and the Self-Referential Sign |
19/20. | Second Reading |
1. | Editorial Statement |
3. | Editorial Statement |
4. | On Arquitecturas Bis |
9. | Editorial |
11. | Piranesi, Or The Fluidity of Forms |
11. | The Gothic |
2. | On Reyner Banham's Los Angeles: The Architecture of Four Ecologies |
3. | Forum: Under Glass |
4. | Forum: Stocktaking |
5. | Forum: Beaux |
7. | Forum: Rossi |
8. | Forum: The Beaux-Arts Exhibition |
10. | Forum/Drawing it out |
18. | Type and Context in Urbanism: Colin Rowe's Contextualism |
22. | Forum: Quant'e Bella |
8. | Landscapes of Eternity: Funerary Architecture and the Cemetery, 1793-1881 |
13. | Bibliography of the Major Writings of Emil Kaufmann |
15/16. | A Nature Morte, 1927 |
9. | Stagecraft and Statecraft: The Architectural Integration of Public Life and Theatrical Spectacle in Scamozzi's Theater at Sabbioneta |
15/16. | Antiquity and Modernity in the La Roche-Jeanneret Houses of 1923 |
25. | Monument/Memory and the Mortality of Architecture |
1. | Industrialization and the Crises of Architecture |
3. | Apropos Ulm: Cirriculum and Critical Theory |
4. | On Reading Heigegger |
4. | George Wittenborn, 1905-1974 |
4. | On Max Bill. A review of the Albright-Knox Exhibition Catalogue |
6. | Constructivism: The Pursuit of an Elusive Sensibility |
6. | Editorial introduction to Design versus Non-Design (Agrest) |
6. | On Alison and Peter Smithsons' Without Rhetoric: An Architectural Aesthetic 1955-1972 |
7. | On Reyner Banham's The Architecture of the Well-Tempered Environment |
9. | On Nikolai Militin's Sotsgorod: The Problem of Building Socialist Cities |
10. | Commentary: Jiri Kroha and the Crisis of Post-Modernism |
10. | L'Architecture Vivante Revisited |
11. | Alvar Aalto and the Origins of his Style |
12. | A Synoptic View of the Architecture of the Third Reich |
14. | Mario Botta and the School of the Ticino |
15/16. | Editor's Introduction (Le Corbusier 1905-1933) |
15/16. | Le Corbusier and l'Esprit Nouveau |
15/16. | The Dom-ino Syndrone |
15/16. | Readings of the Dom-ino |
15/16. | Apres le Purisme |
19/20. | The Rise and Fall of the Radiant City: Le Corbusier 1928-1960 |
19/20. | The Dialectical Oculus |
19/20. | Mariage des Contours |
19/20. | Opus Circulatorum |
19/20. | Culture and Civilization |
21. | Introduction to Didier Lenz and the Beuron School of Religious Art |
22. | Louis Kahn and the French Connection |
22. | The Castellated Home |
24. | Introduction to Casabella and the Reading of History: An Exchange of Correspondence bewteen Maurice Culot and Leon Krier with Tomas Maldonado, and Andrea Branzi with Tomas Maldonado |
7. | Commentary, Bibliography, and Trans-lations of i 10 |
8. | in Forum: The Beaux-Arts Exhibition |
22. | Architectural Metamorphology: In Quest of the Machanism of Meaning |
25. | Monumentality/Mentality |
5. | Neo-Functionalism |
5. | Aldo Rossi: The Idea of Architecture and the Modena Cemetery |
17. | From Structure to Subject: The Formation of an Architectural Language |
19/20. | An Analysis of the Governor's Palace of Chandigarh |
21. | Avant-Garde and Continuity |
15/16. | The Dom-ino Idea |
8. | The Promenades of Paris |
10. | "The Idea of Architecture Language" A Critical Inquiry |
4. | On Martin Frohlich's Gottfried Semper |
13. | Opaque Transparency |
17. | "An Appreciation of the Author" from Architectural Record, May 1912 |
21. | Designing for the Motor Age: Richard Neutra and the Automobile |
18. | Confrontation: 1933 Mies van der Rohe and the Third Reich |
24. | Excursus: Monofunctionalism in Architecture between the Wars (Le Corbusier and the Bauhaus) |
3. | Symmetry: Man's Aesthetic Response Man's Contemplation on Himself |
6. | Symmetry: Man's Conceptualization of the Universe |
10. | Symmetry: Man's Ovservation of the Natural Environment |
6. | Architecture |
6. | Architecture (II): The Foreigners |
12. | Architecture (III): Unpreparedness--Incomprehension--Prejudices |
12. | Architecture (IV): A New Archaic Era |
12. | Reply [to Bernardi, Marziano] published in Rassegna Italiana, May 1927 |
13. | Normative and Evolutionary Housing Prototypes in germany and Austria: The Viennese Superblocks, 1919-1934 |
8. | Chronology: The Ecole des Beaux-Arts, 1671-1900 |
3. | reply to Frampton's On Robert Venturi, Denise Scott Brown, and Steven Izenour's Learning from Las Vegas |
2. | Rejected Architects, Creative Art, 1931 |
2. | The Berlin Building Exposition of 1931, T-Square, 1932 |
2. | Architecture in the Third Reich, Hound & Horn, 1933 |
10. | Reflections: On Style and the International Style; On Post-Modernism; On Architecture |
21. | Future in the Past |
21. | The Idea of the Dom-Kommuna and the Dilemma of the Soviet Avant-Garde |
14. | The Consumption of Culture |
24. | Vorwarts, Kameraden, Wir Mussen Zuruck (Forwar, Comrades, We Must Go Back) |
3. | On Robert Venturi, Denise Scott Brown, and Steven Izenour's Learning from Las Vegas |
19/20. | [review of] Le Corbusier at Work |
2. | Ivan Leonidov's Dom Narkomtjazjprom, Moscow |
3. | The Architect's Ball - A Vignette, 1931 |
2. | The Fountainhead |
5. | Contemporary Architecture |
4. | In Defense of Architecture |
15/16. | The Significance of the Garden-City of Weissenhof, Stuttgart (1928) |
18. | The Mosques |
21. | "Deus ex Machina"/"Machina ex Deo" Aldo Rossi's Theater of the World |
26. | Introduction to Piranesi's Thoughts on Architecture |
8. | Housing the Bourgeoisie: Cesar Daly and The Ideal Home |
4. | Postscript: Kahn, Penn, and the Philadelphia School |
8. | Form and Society: Cesar Daly and the Revue Generale de l'Architecture |
15/16. | The Grid |
24. | Open Reply to Maurice Culot and Leon Krier |
24. | Reply to Andrea Branzi |
22. | House/Pharmacy, Chofu, Tokyo. Hiromi Fujii, architect, 1980 |
17. | Postscript to Adorno's Functionalism Today |
19/20. | Le Corbusier and Algiers |
19/20. | Bibliography: Plans, 1-13 (1931-1932); Plans (bi-monthly), 1-8 (1932); Bulletin des Groupes Plans, 1-4 (1933) |
7. | On James Stirling: Buildings and Projects 1950-1974 |
13. | On Typology |
3. | After a New Architecture: The Best Shape for a Chimera |
6. | Conclusion [to the Yale Mathematics Building Competition] |
19/20. | Alchemical and Mythical Themes in the Poem of the Right Angle 1947-1965 |
4. | The Value of Profiles - Structures and Sequences of Spaces |
4. | The Value of Profiles |
18. | Kahn, Heideggar and the Language of Architecture |
24. | The Most Interesting Form of Lie |
24. | Critical Note to Elmar Holenstein's Criticism of Le Corbusier and the Bauhaus |
7. | International architecture: Werkbund Exhibition, "The Dwelling," July-September 1927, Stuttgart. |
7. | "We shall not bulldoze Westminster Abbey": Archiigram and the retreat from technology |
26. | Thoughts on Architecture |
3. | On Bernhard Leitner's The Architecture of Ludwig Wittgenstein: A Docu-mentation |
18. | Schlinder, Lovell, and the Newport Beach House, Los Angeles, 1921-1926 |
8. | The 'End' of Styles |
22. | The Retrieval of Memory: Alvar Aalto's Typological Conception of Design |
10. | Pamiatnik III Internationala (Monument to the Third International): A project by the artist V. E. Tatlin |
25. | The Modern Cult of Monuments: Its Character and Its Origin |
8. | in Forum: The Beaux-Arts Exhibition |
5. | The Blue of the Sky |
26. | Recent Works |
1. | Neoclassicism and Modern Architecture |
2. | Character and Composition; or Some Vicissitudes of Architectural Vocabulary in the Nineteenth Century |
6. | Robert Venturi and the Yale Mathematics Building |
4. | Alumni Day Speech: Yale School of Architecture, February 1958 |
8. | in Forum: The Beaux-Arts Exhibition |
7. | Classic and Neo-Classic |
14. | Introduction to Taut's The Earth--A Good Home |
18. | "Care of the Body" Los Angeles Times, 14 March 1926 |
18. | "Care of the Body" Los Angeles Times, 21 March 1926 |
18. | "Care of the Body" Los Angeles Times, 4 April 1926 |
18. | "Care of the Body" Los Angeles Times, 11 April 1926 |
18. | "Care of the Body" Los Angeles Times, 18 April 1926 |
18. | "Care of the Body" Los Angeles Times, 2 May 1926 |
24. | Postscript: Non-functionalist Function-alism |
9. | From Gruppo 7 to the Danteum: A Critical Introduction to Terragni's Relazione Sul Danteum |
9. | Postscript to From Gruppo 7 to the Danteum: A Critical Introduction to Terragni's Relazione Sul Danteum |
7. | Stuttgart, "The Dwelling," Werkbund Exhibition |
5. | On Architectural Formalism and Social Concern: A Discourse for Social Planners and Radical Chic Architects |
8. | in Forum: The Beaux-Arts Exhibition |
6. | The Yale Mathematics Building: Some Remarks on Siting |
8. | in Forum: The Beaux-Arts Exhibition |
7. | Runcorn: Historical Precedent and the Rational Design Process |
6. | Introduction [to Arhictecture and Architecture II: The Foreigners] |
12. | Introduction [to 12. Architecture (III): Unpreparedness -- Incomprehension -- Prejudices and Architecture (IV): A New Archaic Era |
10. | Review of N. Punin's Pamiatnik III Internationala |
9. | The Beauty of Shadows |
8. | The 1889 Exhibition: The Crisis of Bourgeois Individualism |
19/20. | Aqueous Humor |
4. | The Space Between |
8. | in Forum: The Beaux-Arts Exhibition |
23. | Critical Discipline |
23. | Le Corbusier and the U.S.S.R.: New Documentation |
4. | Yale 1950-1965 |
8. | in Forum: The Beaux-Arts Exhibition |
10. | The Evolution of Philip Johnson's Glass house, 1947-1948 |
3. | L'Architecture das la Boudoir: The language of criticism and the criticism of language |
5. | "European Graffiti." Five x Five = Twenty-five |
11. | Giuseppe Terragni: Subject and "Mask" |
11. | The Dialectics of the Avant-garde: Piranesi and Eisenstein |
17. | The Historical 'Project' |
14. | The Earth--A Good Home |
15/16. | Technology, Society, and Social Control in Le Coprbusier's Cite de Refuge, Paris 1933 |
4. | Mundaneum |
9. | Relazione Sul Danteum (1938) |
13. | Emil Kaufmann and the Architecture of Reason: Klassizismus and "Revolutionary Architecture" |
14. | John Soane and the Birth of Style (notes on the architectural project in the years around 1800) |
7. | Architecture and Transgression |
5. | The Exhibitions in Russia |
8. | in Forum: The Beaux-Arts Exhibition |
1. | News from the Realm of No-where |
5. | The Architecture of the Lodges; Ritual Form and Associational Life in the Late Enlightenment |
6. | Editorial introduction to Constructivism: The Pursuit of an Elusive Sensibility |
7. | The Third Typology |
7. | Introduction to Runcorn: Historical Precedent and the Rational Design Process |
7. | Editorial introduction to Classic and Neo-Classic |
7. | Editorial introduction to Architecture and Transgression |
8. | Academicism: Modernism |
8. | Editorial introduction: Cemeteries of Life and Death |
8. | Editorial introduction: Houseing the Middle Classes |
8. | Editorial introduction: Promenades for Leisure |
8. | Editorial introduction: Exhibitions of Industry and Empire |
8. | Editorial introduction: The Production of Types |
8. | The Idea of type: The Transformation of the Academic Ideal, 1750-1830 |
8. | Editorial introduction: The Comsuption of Styles |
8. | Editorial introduction: The dream of a New Architecture |
8. | Introduction to Type |
8. | in Forum: The Beaux-Arts Exhibition |
9. | Commentary (Oppositions) |
9. | Commentary (Theory) |
13. | Postscript to Dal Co's Criticism and Design |
14. | Inscribing Piranesi |
15/16. | The Abstraction of History |
15/16. | Universial Panopticism |
17. | After Historicism |
19/20. | Taylorizing Architecture |
25. | The "Art" of History: Monumental Aesthetics from Winckelmann to Quatremere de Quincy |
19/20. | Le Corbusier as Painter |
17. | "The Development of a Great City" from Architectural Record, May 1912 |
25. | Walter Benjamin, Paul Klee, and the Angel of History |
17. | Report of the Discussion with Theodor W. Adorno from Werk und Zeit, November/December 1965 |
22. | Hiromi Fujii's Vision-Reversing Machine |
23. | Architecture in the Urban Desert: A Critical Introduction to Japanese Architecture After Modernism |
18. | Of Le Corbusier's Eastern Journey |
5. | The Magazine Veshch/Gegenstand/Objet (Commentary, Bibliography and Translations) |
10. | Punin's and Sodorov's Views of Tatlin's Tower |