1962-66
Diamond House A: Museum
1963-67
House 10: Museum
2197
1967-70
House 15
2208
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1972-74
Wall House 2 (Bye House)
2219
1972-73
John Hejduk in Five Architects.
1973.05
Five on Five in The Architectural Forum.
1974
Silent Witnesses
2225
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1975.05
John Hejduk in a+u.
"John Hejduk and the Cult of Humanism"
1976
"European Grafitti"
1977
Hejduk/Eisenman interview
1977.11.07
John Hejduk at Beyond the Modern Movement. 5504h
1982
John Hejduk, "Berlin Masque" in Lotus International 33.
1985
John Hejduk, Mask of Medusa.
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1989
John Hejduk, Vladivostok.
1991
Anthony Vidler, Vagabond Architecture.
1991.10.16
On the stage of the Palais des Congrès' large auditorium, Le Corbusier placed some free-form changing rooms within a Maison Dom-ino structure. This permanent 3-dimensional backdrop is a paradigm of Le Corbusier's seminal ideas of architecture--it recalls the Maison Dom-ino prototype (1914), Composition Three (1929), and more recently the porter's lodge at La Couvent de la Tourette. Set on a stage, this small structure is a tangible symbol of Le Corbusier's message, and, in some ways, it is also a swan song. Perhaps John Hejduk's Wall House 2 is the best example of how far this particular set of Le Corbusier's ideas can go.
3122o
1991.10.16
John Hejduk's House 10: Museum and Wall House 2 both show the influence of Le Corbusier's Palais des Congrès. The regular column grid combined with amorphous walls and 'rooms' is an inherent vocabulary to all three buildings, and it seems safe to say that this is a vocabulary unique to the decade between 1960 and 1975.
3122q
1991
Parthenon Columns at Wall House 2 2283
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1993
John Hejduk, Soundings.
Architecture and the Text: (S)crypts of Joyce and Piranesi
1995
John Hejduk, Architectures in Love.
1995
John Hejduk, Adjusting Foundations.
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