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Koolhaas versus the Actor
Rita Novel     2005.05.06 16:24

aml, you write:
tafuri starts with the analysis of james stirling's leicester laboratory. initially it might be argued that this building is using a symbolic system [ships, machine aesthetic, other buildings], but tafuri argues the way this reenactment is being done [and one of the key points is reenacting other buildings, this second stage removement] splits it, removes it from the symbolic system... no longer a direct reference, architecture with stirling is referencing itself

can you provide some examples where architecture is a direct reference and thus not a reference to itself? what is a direct reference in general?

also, you write:
another way of looking at this is in general looking at the five architects. here again, we have an architecture of self-reference, the five architects referencing le corbusier's forms without a direct connection with the origin of the forms.

can you provide an example where le corbusier's forms are referenced with a direct connection with the origin of the forms?

[I just received an email that there is a response to this post, so I sent the above before knowing what was just posted.]





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