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On the other hand, an architecture of complexity and contradiction can acknowledge an expressive discontinuity, which belies a certain structural continuity. In the choir screen in the cathedral at Modena, where one uninflected element precariously supports another in its visual expression, or in the abrupt abutments of the uninflected wings of All Saints Church, Margaret Street, a formal discontinuity is implied where there is a structural continuity.
Robert Venturi, Complexity and Contradiction in Architecture (1966), p. 97.

Soane's Gate at Langley Park (238) is made up of three architectural elements totally uninflected and independent; besides the dominance of the middle element, it is the sculptural elements which are inflected and which give unity to the three parts.
Robert Venturi, Complexity and Contradiction in Architecture (1966), p. 97.

The Doric order works a complex balance among extremes of both expressive and structural continuities and discontinuities. The architrave, the capital, and the shaft are noncontinuous structurally but only partially non-continuous expressively. That the architrave sits on the capital is expressed by the uninflected abacus. But the echinus in relation to the shaft expresses structural continuity consistent with expressive continuity.
Robert Venturi, Complexity and Contradiction in Architecture (1966), p. 97.

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