I wanted to created something that would manifest endurance and determination, so I lightly scored three large museum boards with pencil lines spaced 3/16" apart which resulted with 317 40" long demarcated spaces running down the length of each board. From here the mission was to simply fill each line of space from edge to edge with hand-written text using a Pelican Graphos pen with nib A.1. I had to lay on the board(s) on the floor of my living room in order to write, and the text records whatever came into my mind at the exact time that I was working/writing on the project. It did not take long for this 'self portrait' to also often act as a confessional.
Does that perhaps mean that architects have an aversion to being cognitively challenged by virtual worlds?
space time continuum
space time discontinuum
aspatial atemporal discontinuum
aspatial atemporal continuum
(xsquared + 2xy + ysquared) x (xcubed + 3xsquaredy + 3ysquaredx + ycubed) marks the spot, maybe.
the expeditious expedition
had flags and colors and birds
and waves of hands
and waves of seas
with the goal to please
All reality is relative to the size of its container
all irreality is relative to the holes in the container
we are all mirrors that have to see ourselves regardless
[architectural] Pliancy, apt.
[using] Formalism [as criticism], inapt.
[architectural] Formalism is not altogether inept, however.
07100201 Cut & Paste Museum plan 2386i01
14100201 ICA House Ury context model plan 2270i01
14100202 ICA House Acropolis Q Eclectic Houses Ury context models plans 2090i31
15100201 Colosseum PSAoCRI Eutropia IQ plans 3392ui45
15100202 Pantheon PSAoCRI Garden of Satire IQ plans 3392ui46
15100203 Garden of Satire Pantheon Campo Rovine plans 243ci02
16100201 Philadelphia model with Pyramids IQ14 15 16 18 19 20 22 23 24 6151i01
16100202 Philadelphia plan IQ14-29 6151i02
16100203 ICA model IQ15 16 19 20 6151i03
16100204 Philadelphia Society Hill building footpronts plans IQ16 6151i04
16100205 Philadelphia Kennedy Plaza City Hall 1988 plans IQ19 6151i05
16100206 Philadelphia City Hall plans IQ19 6151i06
16100207 Philadelphia Girard East Housing Francisville Housing plans IQ23 24 27 28 6151i07
16100208 Philadelphia Clay Workers Co-op plans model IQ20 6151i08
18100201 Orchards plans site plan 3150bi13
18100202 Villa Snellman plans elevation section 3150bi14
18100203 Douglas House plans site plan section
18100204 Pavilion de l'Esprit Nouveau plans elevation 214ei01
18100205 Villa dall'Ava plans sections 2276i12
18100206 M÷bius House plans
18100201 Le Corbusier Franšois Chatillon Architecte Immeuble Molitor Restoration Paris
19100201 GAUA 004 wireframe model opaque work 2458i24
21100201 Altes Museum plan elevations 2120i57
21100202 Court Gardener's House - R÷mischer Bńder plan site plan image 2126i01
Figure out a way to make the new arrivals famous for 15 minutes. Perhaps ongoing guest spots on a perpetual reality NYC/TV show with lots of sink or swim competitions and flash-in-the-pan stuff. Fleeting fame really is the new normality. 2000 being [an] architectur[al] Duchamp . . . living in a large 3D painting, in a hyper painting, being in a hyperzone, within an environment of many unknown factors . . . "the working title museum" . . . how people will buy their art and architecture in the future . . . Rita Novel Tea [room] - a book of cult fiction . . . the self evident need for architecture publishing to manifest and/or embrace a paradigm shift from magazines and journals to digital publishing.