I understand you are staying at the new hotel. La Bataille. How do you find it?
Very pleasant. In a bit of turmoil because they are in the process of opening a casino. The man in charge of the casino is called Shelley Keats. I thought it was a joke at first, but that really happens to be his name.
Marcel Proust works at Le Foulard, that fine little seafood restaurant in Scheolcher, the fishing village.
Semiquincentennial: an almost novel architectonics
Miers Fisher Jr. and Helen Gregoroffsky reunited
Is the Pantheon always a spectacular experience?
The Arch of Constantine inside the Pantheon inside the Eiffel Tower.
...through a series of juxtaposed vignettes constituting... "a kind of mosaic, or better, a revolving stage that presents a multitude of scenes and characters which, taken together convey a sense of life of a given milieu and by extension give the tone of contemporary life generally."
"I have, I am aware, told this story in a very rambling way so that it might be difficult for anyone to find their path through what may be a sort of maze. . . . And, when one discusses an affair--a long, sad affair--one goes back, one goes forward. One remembers points that one has forgotten and one explains them all the more minutely since one recognizes that one has forgotten to mention them in their proper places and that one may have given by omitting them, a false impression. I console myself with thinking that this is a real story and that, after all, real stories are probably told best in the way a person telling a story would tell them. They will then seem most real."
Ford Maddox Ford, The Good Soldier, 1915.
...the latest edition of The Museum Trip series...
Why won't you design what we (the public) want?
Was just inspired to write a 'historical' novel where Schinkel uses the 'influence' of the Crown Prince to get to do the designs he, Schinkel, wants. The Crown Prince figures out Schinkel's stratagem and thus starts changing his mind like every week or so as to what style a project should be designed in, just to drive Schinkel a little crazy, but also to see just how clever Schinkel can be. Schinkel, in turn, figures out the Crown Prince's stratagem and hence the architecture just starts getting more and more weird. [Wolfhilde von Schlittenfahrt, the sexy, new intern in Schinkel's office quickly becomes aware of the dueling stratagems and immediately starts 'busting' in her own stratagems.] Add to that that both Schinkel and the Crown Prince are obsessed with the life and works of Heinrick von Kleist and participate in a secret Von Kleist Society where all forms of strangeness ensue. Working title: Kohlhaas wo bist du?
What's the deal with...
Is it true someone out there is currently working on Delirious Cyberspace: A Retroactive Manifesto for the Internet? I can see it all now.
This year's late Autumn is very different than last year's late Autumn--I've already had to shovel snow four times in the last two weeks. Despite the warmer temperatures, yesterday's and today's walk in the woods was still amidst a white blanket of snow--quite nice, actually. Saw a lone fawn yesterday, in the woods adjacent the cow pasture high point, the third time I'd seen it there since the controlled hunt on 4 November. I get a strong feeling that that's where the fawn last saw its mother alive. It's interesting how this animal's mind registers the spot of last sighting to then be, by default kind of, the spot of possible further sighting. A sadly innocent point of view, or is that exactly how hope operates?
Read this while having a late lunch: "Have you ever stopped to wonder anything about what you see there [ArchDaily] or on Archinect or Dezeen or ArchNewsNow or whatever blog or newsfeed you tune into (or tunes into you) every morning?" Figure out for yourself who wrote that in the book UPS delivered here today. I have to return/exchange one of the other books I received today; Project of Crisis is missing pages 123 through 154. Amazon is express shipping a new copy tomorrow. Such modern times we live in, or is it such Christmas (shopping) times we live in?
Reading over the last week and a half has been very Tafuri centric. So far finished Architecture and Utopia, "Ashes of Jefferson," (I think I'm going to read the chapters of The Sphere and the Labyrinth in reverse order) "The Boudoir in The Expanded Field," and "Manfredo Tafuri, or, Humanism Revisited." Last night I started to re-read Theory and History of Architecture. I'm reading the texts to learn/study the structure of Tafuri's history/theories, with particular focus on how Tafuri fit's Piranesi's Campo Marzio Ichnographia into his history. As I wrote a week ago, "Also, I'm currently re-reading Tafuri's Architecture and Utopia, and I have a heightened awareness of the avant-garde architectural lineage that Tafuri sees the Ichnographia Campus Martius as the protogenitor of. I think it's now possible, however, to 'fabricate' a whole other avant-garde architectural lineage once one understands what the Ichnographia Campus Martius is really all about."
At this point I'm still reading, but I'm also beginning to formulate "a whole other avant-garde architectural lineage." It's rather inspiring to even imagine a whole other architectural history of the last 250 years. Aha, working title: Architecture post Semiquincentennial.
what is our current architectural style called
Architecture style is no longer defined by space, rather by time.
"Their house is the epitome of 2002 style."
"Design me something early 1840s. I'm feeling immediate-post-Schinkel lately."
"In the year 2525, when architecture is finally alive..."
It appears that the title should actually be An Architecture of Being Virtual because that title is exactly what [the] work represents. ...letters that are to be included in AAOBV, such as the skins analogy/question, delivery of content, facilitators, etc., virtual TV stations/channels. ...more collage than traditional exposition/display. ...one that comprises actual product placement while also "theorizing" about the new role of publicity in architecture. I know I'm 'playing' a bit here, but I also think I'm making a significant point about the 'hybrid' nature of cyberspace in general, and the ever morphing nature of the hybrid [architecture] specifically. ...we were part of a international conference on hybrid architectures. The conference is so hybrid that the participants don't even know (till now) that they composed a larger composite entity.
 "In the future, your whole life will be a phone call." [Gosh, that now reminds me of Her.]
...and get that great new book on the workings of inspiration. I'm pretty sure it's called Even You Can Be a Copy Cat. Be careful of your use of the concept "create" in this context. Tools in and of themselves are incapable of creation; they facilitate dexterity and hence creation, however. Technologies and architecture are creations, and their own creative powers remain (forever) overshadowed by humanity's far superior creative powers. Your musings are thus incomplete without the inclusion of humanity's vast physical and imaginative capabilities. In terms of creativity, you must always remember the hand and the mind. JJM states: It seems more than obvious that the tools we use influence the way we think. SL replies: It may not seems so obvious, but it is probably more true that the way we think influences the way we use tools. ...wondered what the Latin word for idea was, and thus found notitia, notitiae. Interestingly, the first meaning of notitia is fame (as in notoriety) while idea, knowledge of, concept, notion are the second meanings.
 I've been thinking about sculpture lately, at least virtually.
Well Designed Limits =/? Architecture
optional subtitle: So the answer, so the question
Exhibition Review: 'Building the Picture: Architecture in Italian Renaissance Paintings'
There was an exhibit at Quondam in 2001 entitled house/museum which featured some "buildings in painting" very similar to the National Gallery exhibit. mp2382 mp2382
Reminds me of an exhibit I'm putting together right now. Entitled:
Equal Treatment: What business is this of yours? And what business do you have bringing it up publicly?
Are diagrams in architecture bullshit and ditto for process?
Perhaps this is the frontispiece of the book I'm (subconsciously) writing entitled For an Architecture of Irreality.