Working Title Museum

not there

1   b   c   d   e   f   g   h   i   j   k   l   m   n   o   p   q   r   s   t   u   v   w   x   y   z


A written sign is proffered in the absence of the receiver. How to style this absence? One could say that at the moment when I am writing, the receiver may be absent from my field of present perception. But is not this absence merely a distant presence, one which is delayed or which, in one form or another, is idealized in its representation? This does not seem to be the case, or at least this distance, divergence, delay, this deferral [différance] must be capable of being carried to a certain absoluteness of absence if the structure of writing, assuming that writing exists, is to constitute itself. It is at that point that the différance [difference and deferral] as writing could no longer (be) an (ontological) modification of presence. In order for my "written communication" to retain its function as writing, i.e., its readability, it must remain readable despite the absolute disappearance of any receiver, determined in general. My communication must be repeatable--iterable--in the absolute absence of the receiver or of any empirically determinable collectivity of receivers.
Jacques Derrida, "Signiture Event Context" (1972).

««««

»»»»


www.quondam.com/38/3800l.htm

Quondam © 2017.09.14