quondam @ archinect/79/7916p.htm
hotrod architecture
Rita Novel 2005.05.20 16:24
Picking up on LB's "stealth communication with other experts," I'm recalling a detail from Kahn's Esherick House. I think in the hall right as you enter the house there is a light switch panal unlike anything I've ever seen before. Not only are there like eight toggle switches in a row, but the panel is set on the wall vertically, as opposed to the traditional horizontal mounting. Granted this is just a small detail, but, given that the building dates from 1959-61, such a light switch panel seems extreme (and I certainly thought that when I first saw it in 1977), but also elegantly simple in its execution.
While I'm "in" the Esherick House, the windows here also have an extremeness to them, and these windows are very much integral to the architecture.
And now I'm thinking of the enormous light hoods that "light" the communal spaces of Kahn's Erdman Hall dormitory at Bryn Mawr. Again there is this extremeness in terms of how light enters the space, and the resultant effect is very much part of what makes Kahn's architecture "great".
And now thinking further about "windows," my favorite panes of glass remain those at either end of the quondam Liberty Bell Pavilion (vintage 1976). While not a makeover, per se, the detailing of this building has an extremeness to it overall, even to the point where the roof/ceiling is split right down the middle so as to not disrupt the axis of Independence Hall. And even aesthetically, if you look at this building closely, it wouldn't be a stretch to say it has a 'hot rod' feel to it. And, as to performance, as much as most didn't like the building, representatives of the National Park Service will nonetheless admit that it served its purpose of allowing thousands and thousands of visitors to see, stand by, and touch the Liberty Bell very well.
Anyway, I never expected to be thinking about Kahn and Mitchell/Giurgola architecture in conjunction with "hot rodding", so again, "Who knew?"
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