12 August

1875 death of Charles Rohault de Fleury

Redrawing History- outline
1997.08.12     2543 2582 2676 2692 2908 3102

Ottopian House II
2001.08.12     2306c

more reenactionary "The Las Vegas Classroom"
2001.08.12     3258b 4025 4142a 4214 422c 5005 5085 5095

Museum Collecting
2001.08.12     2226 2227 2244 224a 2266 2306 2323

recent observations
2002.08.12 15:45     4000c 4031 4102 5085

more reenactment than I thought
2002.08.12 18:08     4000c 4031 4076 4102 5085

Adam (sans Eve) in the Garden of Satire
2008.08.12 08:29
2008.08.12 16:18     4000e

visual comparison
2008.08.12     2702 310a



98081201 Altes Museum perspectives   3392di02
98081202 Altes Museum perspectives   2120i03


010812a Lauf Haus der Kunst studies   231ai16

2002.08.12 15:45
recent observations
As I was driving down Spring Garden Street yesterday, a detail of Venturi and Rauch's Guild House caught my eye. The white brick wall either side of the recessed entrance (in contrast to the red brick of the rest of the building) immediately reminded me of the new two-tone masonry at Ahavath Israel. From the first time I saw Ahavath Israel in 1998, I got the sense that Guild House was somewhat of a faint reenactment of the synagogue. Now one could say that the original is reenacting its reenactment.

2002.08.12 18:08
more reenactment than I thought
In just comparing images of Ahavath Israel and Guild House, there are several features strikingly similar between the two building:
1. the 'main' facades projects out to the street and stand in contrast to the adjacent building (elements).
2. the entrances are ground level recesses within the main facade. (Interestingly, Ahavath Israel had three columns later installed within the recess to augment failing support of the wall above, columns that are now removed due to the new facade work, while Guild House always had an exaggerated column standing within the recess.)
3. the three individual windows symmetrically framing the center balconies of Guild House very much echo the three sole windows to one side of Ahavath Israel's otherwise facade.
4. the cornerstone setting/detailing of each building is virtual identical, except for the dates, of course--5698/1937 vs. 1965.
I am now reminded of an anecdote R. told me the day after I took R. and S. to see Ahavath Israel some Sunday morning October 2000. After our visit to the Kahn building, R. and S. went to have lunch with Robert Venturi and Denise Scott Brown. They told the famous architects about having just seen Kahn's first building. Venturi apparently acted in some kind of disbelief, as if the building didn't even exist. He said something like, "But it's not even in the catalogue!?!" I assume Venturi was referring the Louis I. Kahn: In The Realm of Architecture. R. told them to look up the (then) webpages at www.quondam.com that displayed images of the building.
I was immediately suspect of Venturi's apparent lack of knowledge of the building. Granted 1965 is a long time ago, and we all have incomplete memories. Nonetheless, Congregation Ahavath Israel (original sign and all) was very much featured within Vincent Scully's 1962 book Louis I. Kahn.

14081201.db Acropolis Q at Ury Farm plan
14081202.db Acropolis Q at Ury Farm model



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