2003.05.12 14:01
Koolhaas the reenactor
A good look at very early Kahn, particularly his projects for Philadelphia, will shed interesting light on architecture of the 90s and the 00s.
2003.05.18 14:02
Re: This month's WIRED - Koolhaas
KOOLWORLD is beginning to look and taste like generic frozen food after being microwaved.
2003.07.13 15:39
Re: a tale of two realities
Earlier today I re-watched Koolhaas on Charlie Rose to capture Koolhaas noticeably smiling when the subject of Prada came up. Having now taken a closer look it is hard to say whether Koolhaas is smiling (or at least as close to a smile that Koolhaas can get to) because of Prada or because he just got to say on TV that "If you extrapolate [the] current situation and current trends and the way architecture is evolving, it's maybe slightly too strong to say that ultimately everything will be embedded in a casino."
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2003.12.30 16:08
Rem Koolhaas and OMA-AMO
At the In Your Face symposium at NYU 29 September 2001, featuring Robert Venturi, Denise Scott Brown, Rem Koolhaas and others, I questioned Venturi about his unsureness regarding 'content' when it came to building facades that were also screens that present electronic imagery--Venturi pioneered this idea back in the 1960s with an unexecuted design for the Football Hall of Fame. My point was that if architects design buildings where (some of) the facades are screens, that it might also be the 'job' of the architect to provide the content to be 'screened', or at least provide some sort of direction to how the screen facades might be fully utilized. After a full exchange with both Venturi and Scott Brown, the moderator of the symposium asked Koolhaas if he had any additional thoughts on this topic, to which Koolhaas replied, "I am not interested in discussing 'content'." Koolhaas has since then obviously changed his mind because the whole theme of the Koolhass/OMA/AMO exhibit presently at Berlin, and the title of Koolhaas' forthcoming book, is indeed Content.
It was soon after late September 2001 that Quondam, a virtual museum of architecture, began defining itself as "architecture as the delivery of content."
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1999-2004
Seattle Central Library 2341
2004.03.14 15:30
Re: koolhaas on charlie
I wish a lot more old books were being scanned electronically/digitally and preserved that way.
Also, books like Harvard School of Design Guide to Shopping and Koolhaas' latest Content would have been just as effective, if not more so, had they been published electronically. It is for this reason that I feel Koolhaas' own admission that Content is disposable is nothing less than an indictment of bad design from the very start. The irony is, too, that most books today are already composed electronically, thus then printing the material is more or less a step backwards.
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Dis: content
2004.05.08 15:20
Received Content (the new Koolhaas book) in the mail a couple hours ago. Looked through the whole thing page by page once so far. After doing that I realized that Content inside looks exactly like i-D magazine of 20 years ago. The only difference is that i-D is still better at its delivery of content.
[i-D, the worldwide manual of style, a sort of 'underground' fashion magazine that started coming out of London October 1980, and is today more a mainstream, albeit still 'avant garde' fashion magazine.]
I still have my collection of i-Ds from the mid-1980s, and I'll keep on keeping them (especially since they are still so up to date). I doubt I'll still own Content 20 years from now, however.
[reenactment note 356.38976--remember how Koolhaas' delivery of Content essentially reenacts i-D's delivery of content 20 years ago. I wonder if Koolhaas even knows he was following the "manual of style"? I seriously doubt it. Just thought of a new working title: From Euphrates Cat To Copy Cat.]
The "Editor's letter' of Content by Brendan McGetrick suggests that "remaining at home [is] torturous," thus it is obvious the editor here doesn't know that remaining at home is the grand luxury of being virtually famous.
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