The Discovery of Piranesi's Final Project |
The Discovery of Piranesi's Final Project
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Curious and interesting work.
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As it turns out, Giovanni Battista Piranesi already wrote a description, and a review, of his final project. The short text appears within the Calcographie des Piranesi, a catalogue listing the existing and projected works by Giovanni Battista and Francesco Piranesi, des Piranesi, published by Francesco in Paris, 1804, almost twenty-six years after his father's, Giovanni Battista's death, and less than six years before his own death.
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The completeness of Francesco's data-full circus plan strongly suggests the culmination of extensive field survey work carried out to record every possible accuracy. The two unsigned circus site plans likewise exhibit accuracy as to the correct positioning and geometry of the discernable ruins throughout the site, which also suggests the culmination of extensive field survey work, yet at the same time the two unsigned drawings register incompleteness, if not also obscurity. And in terms of inaccuracy, the only real fault of all three plans is their identification as the Circus of Caracalla (emperor from 198 to 217); the correct identification of the Circus of Maxentius (emperor from 306 to 312) did not occur until the second quarter of the nineteenth century. |
1. The second part of Calcographie des Piranesi, ou, Traité des arts d'architecture, peinture et sculpture : développés par la vue des principaux monumens antiques et modernes comprises the descriptions of three large proposed works: Antiquities of Magna Graecia, now Kingdom of Naples; 21 vol., Antiquities of Rome, built from the time of Kings, Republics and Emperors, down to Constantine; 35 vol., Antiquities of Preneste; 21 vol. Ancient Circuses was intended as two of the 35 volumes of Antiquities of Rome. The author first became aware of the Ancient Circuses text 6 June 2022.
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