97040801 Museum of Arts and Crafts plans elevations
97040802 Museum of Arts and Crafts model
war design (shameful architecture)
...my original statements on the subject which included to statement: "concentration camps are always real, and rarely, if ever, virtual." what I meant here is that concentration camps absolutely require physical architectural entities -- walls, gates, some kind of "ordered" housing, (watch) towers, places for the oppressors, and places for the oppressed. manifestation of the 'concentration' in concentration camps emanates from the delimiting and restricting nature (or is it power?) of architecture itself. in this sense, concentration camps utilize architecture for what is surely among the worst of purposes (and, as an aside, Piranesi's Carceri (prisons) also represent architecture used for one of its worst purposes, however, in this case it is our perception that is "tortured" rather than our corporal beings).
...about "her" concentration camp in Russia, and she told me it was a bombed-out hospital complex (and here Anand's observation regarding the wide spread potential for concentration camps definitely rings true). when those to be concentrated arrived, the surrounding "wall" was already there, however, shelter for the concentrated was merely buildings without glass in the windows, that is, until the windows were simply boarded up two weeks later.
What is most upsetting about the current events in the Balkans is Serbia's concentration on reenacting the worst parts of their history rather than reenacting their best.
Regarding the Roman (mythological) origins of Rome I do have some knowledge, however.
It began with a rape, specifically a divinity, Mars, raping a (Vestal) virgin, Rhea Silvia.
This rape engendered twin brothers, Romulus and Remus.
Then came fratricide in a fight for domination. Romulus killed Remus and thus the 'Eternal City' is hence known as Rome (rather than Reme).
To populate his namesake city, Romulus devises a massive date rape, culturally depicted as The Rape of the Sabine Women. [August 18, same date as the feast of St. Helena -- this is the only clue I'll provide now as to the 'Roman' Christian inversion of all the 'facts' here outlined.] So here we have the son reenacting the father via the act of rape all in the cause of procreation of citizenry.
A year or two after the rape of the Sabine women, the Sabine men decided to avenge their daughters and attacked Romulus and his urbs. Romulus remained victorious, and paraded his enemies armor to certify his 'triumph', hence the many times reenacted Roman Triumph.
So goes the 'myth' of the origins of an 'eternal' city and then the origins of an empire. In concise terms it's rape, fratricide, rape reenacted, triumph, triumph reenacted [and then Imperial Rome as a whole is reenacted by Roman Christianity, yet in an inverted fashion].
As soon as the inhabitants of Pessac began to alter the appearance of their homes counter to the modern 'purism' of Le Corbusier's design, might just pinpoint the beginning of post-modern architecture.
Does it say anywhere that modernism must end as soon as post-modernism begins?
If so, then who writes these rules?
[Did Judaism end as soon as Christianity began? Did Christianity end as soon as Islam began?]
The religious analogy employed is not a stretch when you consider how this thread began, specifically in reference to a "paradigmatic shift". Christianity is a paradigmatic shift vis-ŕ-vis Judaism, and Islam is (in part) a paradigmatic shift vis-ŕ-vis Christianity.
Interestingly, the rise of Christian architecture did coincide with the end of 'classical' Pagan architecture--not long after Christian basilicas were built in Rome and Judea (under the supervision of St. Helena), the legislature under Constantine I (the son of St. Helena) began to steadily outlaw Pagan cults. Ultimately, under emperor Theodosius I, all Pagan cults within the Empire were outlawed, hence no more classical Temples.
[Is what I do modern or is it post-modern? Honestly, I don't care.]
Was it European Colonialism that began the end of many indigenous architectures throughout the "non-Western" world? Can the 'international style' of CIAM be seen somewhat as an extension of Colonialism?
[These are questions that interest me much more than whether Gehry is modern or post-modern.]
09040801 IQ museums galleries Garden of Satire plans 2120i23
14040801 Wallraf Richartz Museum Q Group context plan 2227i14
14040802 St. Pierre at Firminy-Vert site plan 2189i07
14040803 St. Pierre at Firminy-Vert Le Composites context plan 2177i28
14040804 New Not There City full plan new arris version 206bi17
16040801 Mesh Surface City Blocks site plan 4400x2200 IQ28 240ai07
17040801 Frank Gehry New Conservatory of Music Krakow
17040802 EMBT Kálida Sant Pau Centre Barcelona
18040801 Mount Pleasant Mayor's House plans image 2109i06 b
18040802 Seagram Building model opaque incorrect scale/proportion 217xi01
18040803 Seagram Building plan elevation second best 217xi02
19040801 IQQ15 Philadelphia Berlin 1958 plans 2468i53
19040802 IQQ19 Philadelphia Berlin 1958 Altes Museum Walraf-Richartz Museum City Hall Redux Market Street East Development Parkway Interpolation Museum Annex Barnes Foundation Calder Museum plans 2468i54
19040803 IQQ15 Philadelphia Berlin 1958 Housing for La Villette Dresdner Bank H4KFSchinkel001 H4KFSchinkel004 Venue NeuHaus 10 der Künste Complex Religious Mat-Slab-Blob Complex ASouq Neighborhoods New Atheneum Acropolis of Contemporary Art Analogous Museum of Architecture plans 2468i55
20040801 iiq06 base plan project plans 2348i37
20040802 iiq06 base model 2348i38
20040803 iiq06 base model Franklin Sq Mikveh Israel Gimbel SQ models 2348i39
20040804 iiq06 base model Franklin Sq Mikveh Israel Gimbel SQ models opaque off
20040805 iiq06 base model Franklin Sq Mikveh Israel Gimbel SQ axonometric -60,0,0 raw 2348i40
21040701 patterning ris 248ai02
21040702 patterning experiments iiq05 model 248ai03
21040703 patterning experiments iiq05 model 248ai04
21040704 patterning Rittenhouse Sq north from iiq05 model axonometrics 248ai05 b