Kahn as anti-modernist
From what I remember, one of the Kahn buildings analyzed in McBride's article is the AFL Medical Service Plan Building 1954-56. Unfortunately, this building was demolished in 1973, and doubly unfortunate because the building was indeed unusual in terms of how we remember Kahn's work. Looking at photographs of the building now, it appears latter-day 1990s--kind of Koolhaas, kind of Herzog & de Meuron--but pure Kahn (of the 1950s) nonetheless. The AFL building is a little after Kahn's Yale Art Gallery (1950-53), but seems prescient of Kahn's Yale Center for British Art (1969-74) (across the street from the Yale Art Gallery).
Maybe Kahn as anti-modern really means that Kahn was (as is often the case) ahead of his time.
Kahn's AFL Medical Service Plan Building was in Philadelphia, on the south side of the 1300 block of Vine Street.
austerity = extreme assimilation?
Hugh (in his last post) also mentions possible forthcoming architectural 'revivals'. Could not the New Austerity be a Purism revival? Seeing the interior shot of the Walsall gallery also reminded me of the interior court of Kahn's Mellon Art Gallery, New Haven. I see that building, as well as many other Kahn buildings, as 'embodiments' of a 'new' austerity, of an assimilating purge.
Re: stuff that really is life changing
At the Yale Center for British Art (a building by Louis I. Kahn and very nice all by itself) in the large window of the top floor gallery facing closest to the New Haven Commons in the general lower right corner of the large window glass are the scant remains of what looks to be a mosquito embedded in the glass. I call it Teeny.