Re: two for the road
I like what you say about not recalling "another film that, structurally, collages space and time in that particular way." Two for the Road does indeed collage space and time, but I was never sure how unique its particular method of cinematically doing so might be. In any case, it's worth noting that the collage here very effectively relates a narrative, specifically a 'modern' life narrative. Is the film's "collage of space and time" a (romantic) reflection (i.e., mirror) of modern life itself?
Could it be that the age old narrative journey motif's (Homeric epic) modern replacement is the narrative 'vehicle' motif?
vehicles of symbolism?
Since beginning this "vehicle" film thread, it has dawned on me that when "vehicles [in films] are both very literal and very symbolic, and, moreover, it is the seamless transition from literalness to symbolism that the vehicles deliver," that this phenomenon is much akin to the notion of the medium simultaneously being the message.
the stillness of Ulysses' gaze
"First God created the journey, then there is doubt, and then comes nostalgia."
a real puzzle
...generate a real puzzle of a large plan, essentially providing pieces of an Ichnographia. ...each piece of the puzzle will be an image map containing links to other pages which can be text, clues, or just archived pages. These "background" pages could be very serendipitous and even abstruse and even labyrinthine in that they could offer links to ever deeper (obscure) pages.
Re: story telling
Piranesi very much utilized/executed a 'narrative' approach to design via the Ichnographia Campus Martius, which predates Cooper Union/Hejduk by about two centuries. Moreover, Piranesi's approach may well have been inspired/influenced by the mnemonic design methodology of Hadrian's Villa at Tivoli, which comes from 1900 years ago. Story telling/weaving/fabricating (like the above) is a very basic form of reenactionary architecturism.
Is reenactionary architecturism essentially an architecture that does not forget?
in the thick of reenactment season
I purposefully walked from the front door of the Philadelphia Museum of Art down the Benjamin Franklin Parkway to the far side of Logan Circle and then back to the Art Museum. I did this to get a real sense of scale of the virtual axis of life within Piranesi's Ichnographia Campus Martius.
In reality I was walking across the forecourt of the Philadelphia Museum of Art, then down the steps that Rocky made famous running up, then across Eakins Oval, where the largest painting in the world once was, then down a tree covered allee along the south side of the Parkway stretching for three long blocks, then around Logan Circle, and then back in the direction I came although this time along the north side of the Parkway.
In virtuality I was walking through the Nympheum Neronis high on the Vatican Hill, through the Porticus Neronis, through the Templum Martis (Temple of Mars), through the Area Martis where the Triumphal Way begins its "march" [this is around where the Rodin Museum is on the Benjamin Franklin Parkway, and, as luck would have it, where the route of many of today's Philadelphia parades begin], then I walked around Hadrian's tomb, and then I walked back.
Re: 1 more 1 is 2 yet .33
Two places for bilocation is a given. I'd sooner search for two places, and, if two places were found, then I'd begin wondering about multilocations.
Mimetic vs. Social Constructionist approaches toward representation
Signifier and Signified
Five components of Marxian thought
Shift in theories about ideology (Marx, Althusser, and Gramsci)
Hall's three approaches toward consumption
Ideological labor: Bricolage and textual poaching
Three terms of spectatorship (scopophilia, voyeurism, and exhibitionism)
Jacques Lacan's psychoanalytic theories
Male and female gaze
Foucault's institutional gaze (discourse and panopticon)
Colonial gaze: Edward Said's "exotic other"
Victorian era and the "Grand Style" of imagery
City Beautiful Movement
Lithographic "Bird's Eye" views
Photographic Balloon views
The cultural fiction of panoramic imagery
Perspective (impact of scientific gaze)
Abandoning the goals of realism and authenticity
Changing values associated with images
The role of spectacle in mass society
Media Spectacle constructs a sense of identification among audience members that encounter an extraordinary event marked by change and mystery.
Three critiques of media: media-as-narcotic, media-as-false consciousness, media-as-cultural imperialism
Habermas and the notion of "public sphere"
Four components of modern consumer society
Rereading consumer society - Marxist, Pop Art, Psychoanalytical, and Foucauldian approaches
Three reasons why we are architectural critics
Architectural terms: tripartite, domestic, mimetic, regional/historic, art deco, streamlined, international, googie, environmental, postmodern
Four approaches toward modernism
Four components of modern architecture
Five contests of postmodernism
Simulation and simulacra
Pastiche culture and intertextuality
Truth and the themed environment
Theme malls: Shift from urban to suburban life
Theme airports: places built on movement
Theme airports: From train stations to shopping malls
REPORTAGE- Rhythm & Gender
I like the list (above); like chapters, like lessons, like evolutionary stages, like different floors of a building I'd love to design, like a row of restaurants while you're perpetually hungry.
Le Corbusier is very high on my list. Go to Harvard's Loeb Library to see my analysis of his unexecuted Palais des Congrθs--they were the only ones to purchase both the slides and drawings published in 1991.
Early Mies still intrigues.
Gropius never really inspired me at all.
What I find historically interesting is a comparison and contrast of Freud's first visit to Rome (gen Italia) and Le Corbusier's first visit to the Acropolis.
I'm not sure the Romans ever built in the Doric order. Composite was indeed their order of choice.
Seutonius relates how a delegtion from India came to Rome during the reign of Augustus. This makes me really wonder why the Mausoleum of Augustus in Rome and the Great Stupa in India are virtually identical in size and design.
Why do you think Piranesi first delineated all the circuses of the first printing of the Ichnographia Campus Martius in a stylized manner, and then (unnoticed for over 200 years) changed all the circuses into copies of the Circus of Maxentius in the second printing of the Ichnographia Campus Martiis? Piranesi sure knew how to paint a quaestio abstrusa!
You know how Eutropia confessed that (her son) Maxentius was a bastard soon after Maxentius died in battle against Constantine? Well, I hear Eutropia recently made another confession as to how Maxentius' real father was Diocletian!
Re: cityscape collage
It started more than eight years ago when it was realized that Hadrian's Tomb and Logan Circle share the same circular footprint. Then, about two years ago, it was realized that ancient Rome's axis of life, as delineated by Piranesi, and the Benjamin Franklin Parkway share the same length and design articulation, with again Hadrian's Tomb and Logan Circle being the key register.
Now delineation of the 'bilocalopolis' begins. The Tiber and the Schuylkill flow through the cityscape. Augustine's tomb and City Hall have their similarities. Rome's Corso is now the same as Broad Street, the longest cardo in the world. X marks the spot of the first Gothic camp outside the walls of Rome and the no-man's land of the Vine Street Expressway interchanges.
I wrote something on 16 December 2004 which turns out to be a succinctly worded culmination of over 10 years of investigation, and also the touchstone for a finally foreseeable catharsis.
St. Catherine dei Ricci died after long illness at the age of sixty-eight on February 2, 1590.
"Something similar to what is related by St. Augustine about St. John of Egypt happened to St. Philip Neri and St. Catherine dei Ricci. They had exchanged a number of letters, and although they never met in the body she appeared to him and talked with him in Rome--without ever having left her convent at Prato."
Remember, it's all about bilocation, bilocation, and bilocation.
didja feel that???
Villa Savoye at the Dominican Motherhouse
...annexation; a totally fictitious client; who knows what else. ...a narrative inspired by the graphics.
Ludwig's dissertation on reenactment
Trumbauer Architecture Tours
Nudist Camp at the Philadelphia Musuem of Art
"a moldy paper on mildew"
The King pf Prussia Marble Trail
De Spectaculis II
The Marriage of Twisted and Column
Here a Versailles, There a Versailles, Everywhere a Versailles, Sigh
The Promenade Architecturale Formula
The History of Terrorism in Film
Pilgrimage, Reenactment and Tourism
A Quondam Lenni Lenape Land
Learning from Lacunae
Creating One's Own Virtual Museum of Architecture
The Bilocating Barnes Foundaton
An Architecture of Removement
How Did This Happen Revisited